What you say
No-one has reviewed Grass by Animal Collective yet.
What we say
 This record left our Phil feeling happy.
Brand new Animal Collective single sounds like a bit like Arcade
Fire produced by Gibby Haynes according to Brian Clint says it sounds like Lindsay
Buckinghams' madder vocal explorations on Fleetwood Mac's Tusk
album. Am none the wiser. To me it sounds very much like the Animal
Collective. Fun but crazy sounding. All over the place as you'd expect by
them and it's more like the Sung Tongs album than the unlistenable (I've tried
so many times) Here Comes The Indian. To me it's not really like anyone else and
they're rather original. If you can cope with the wackyness there's some
goodness to be had here.
What the label says:
Following the widespread acclaim of last year’s ‘Sung Tongs’ album, and this May’s ‘Prospect Hummer’ EP, Animal Collective return to the fray with a brand new three-track single, ‘Grass’, released on September 26th. The single will be available on both 7” and CD single formats, and precedes a new album, ‘Feels’, which will arrive three weeks later (17th October), and a full European tour. Lifted from that album, the title track of the single is a brilliant three-minute slice of feral, infectious pop, driven by pounding drums and yelping and hollering vocals.
Two further tracks – ‘Must Be Treeman’ and ‘Fickle Cycle’ are exclusive to this single. The former is a derailed slice of acid ambience – all mushroomed, munchkin vocals and collapsing veils of treated electronics, whilst ‘Fickle Cycle’ - a live favourite – is another stunning rhythmic piece that perfectly complements ‘Grass’, making this an incredibly strong single.
Where ‘Sung Tongs’ was largely acoustic-based and the product of just two members of the Collective (Avey Tare and Panda Bear), the new material is in contrast a full group effort (including Geologist and Deakin). Moving further away from the suggestion of folkish affinities, it is electrified, rhythmically more urgent, and overall a considerably denser work. Those sweet melodies and big catchy hooks remain intact, and the songwriting is once again bold, brave and adventurous, as ever indelibly stamped with their own unique personality. Growing ever more confident and fully on top of their game, these new recordings push Animal Collective’s agenda on to the next level, and confirm’s the band’s place as one of the most ambitious and forward-thinking modern bands. There is quite simply no other group around quite like them.
Recorded in seattle with producer Scott Colburn (Sun City Girls / Climax Golden Twins) over a month in April, the new material features significant contributions from violinist Eyvind Kang (Mr. Bungle / Sun City Girls / Arto Lindsay / Laurie Anderson / John Zorn), and Kristín Anna Valtysdóttir (Múm / Storsveit Nix Noltes), who plays piano. Taking inspiration from a wide range of sources without ever being reducible to a list of influences, Animal Collective are making challenging modern pop - music that defies easy classification or lazy pigeonholing. The mixture of electronics and traditional instrumentation, of songform and soundscape are integrated brilliantly and totally convincingly into a coherent, logical whole. Bubbling, rippling instrumental playing coheres into fluid song structures that seem to swell and ebb, building a throbbing, shimmering wall of sound. These new songs are layered with all manner of intricate activity – the melodic / rhythmic skeleton filled in and embroidered with a myriad colours via sampled noises and looped rhythms, little electronic tics and textures, vocal harmonies, tones and drones. |
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